Matemaatika võimalikest rakendustest muusikas

dc.contributor.advisorAbel, Mati, juhendaja
dc.contributor.authorSimson, Mai
dc.contributor.otherTartu Ülikool. Matemaatika-informaatikateaduskondet
dc.contributor.otherTartu Ülikool. Matemaatika instituutet
dc.date.accessioned2013-06-19T10:32:06Z
dc.date.available2013-06-19T10:32:06Z
dc.date.issued2013
dc.description.abstractThe aim of this bachelor’s thesis is to give an overview of some mathematical applications which can be used in music. The thesis is mainly based on three books: “Simple Gamma” by Georgi Evgenevitš Šilov, “Occidents’ History of Music” by Igor Garšnek and “Music: A Mathematical Offering” by Dave Benson. The thesis consists of four chapters. In the first chapter we give definitions to different terms that are used in the thesis. The second chapter briefly describes the common history in music and mathematics. The aim of the third chapter is to explain the construction of the musical scale using logarithms and chain fractures. The final chapter focuses on different mathematical applications used in music. We will discuss Iannis Xenakis’s theory about the algebraic qualities of the intervals, the theory that Pierre Boulez used to compose his “Structures I”, Urmas Sisask using mathematics and astronomy to compose his choir piece “Gloria Patri” and also some mathematical methods that could be used to describe music.en
dc.identifier.urihttp://hdl.handle.net/10062/31119
dc.language.isoetet
dc.publisherTartu Ülikoolet
dc.subjectmuusikaline skaalaet
dc.subjectI.Xenakiset
dc.subjectP.Boulezet
dc.subjectuniversumi muusikaet
dc.subjecttranspositsioonet
dc.subjecthelilaineet
dc.subjectjäägiklassidet
dc.subjectbakalaureusetöödet
dc.titleMatemaatika võimalikest rakendustest muusikaset
dc.typeThesiset

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