The Many Themes of Beethoven’s Op. 2, No. 3, and Their Stylistic Context

dc.contributor.authorBurstein, L. Poundie
dc.contributor.otherKotta, Kerri, koostaja
dc.date.accessioned2024-02-28T10:05:26Z
dc.date.available2024-02-28T10:05:26Z
dc.date.issued2021
dc.description.abstractMusicians have long disagreed about how to parse the exposition of Ludwig van Beethoven’s Piano Sonata in C, Op. 2/3/I, particularly as regards determining the formal function of the G minor theme of mm. 27–46. Many of these disagreements result from viewing the form of this exposition primarily through concepts that developed during the nineteenth century and formal models that are particularly well suited for Beethoven’s later works. However, especially considering the relatively early date of its composition, it might be more fruitful to consider the form of the exposition of Op. 2/3/I in relation to layouts discussed by eighteenth-century theorists, layouts that may be witnessed in many works composed during this era. When viewed in relation to these earlier frameworks, the form of the exposition of Op. 2/3/I may be understood to be quite conventional. Furthermore, such a historically based vantage point can significantly impact the understanding of this exposition’s voice-leading structure.
dc.description.sponsorshipEuropean Regional Development Funden
dc.description.sponsorshipCenter of Excellence for Estonian Studiesen
dc.description.sponsorshipRepublic of Estonia, Ministry of Cultureen
dc.description.sponsorshipEesti Vabariik, Kultuuriministeeriumet
dc.identifier.issn2382-8080
dc.identifier.urihttps://doi.org/10.58162/YP43-J309
dc.identifier.urihttps://hdl.handle.net/10062/95606
dc.language.isoen
dc.publisherEesti Muusika- ja Teatriakadeemia
dc.publisherEesti Muusikateaduse Selts
dc.relation.ispartofRes Musica : Eesti Muusikateaduse Seltsi ja Eesti Muusika- ja Teatriakadeemia muusikateaduslik aastaraamat
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Estoniaen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/ee/
dc.titleThe Many Themes of Beethoven’s Op. 2, No. 3, and Their Stylistic Context
dc.title.alternativeBeethoveni klaverisonaadi op. 2, nr. 3 I osa teemade paljusus ja vormiline kontekst
dc.typeArticleen

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