Functions and Techniques of Critique in Contemporary Estonian Theatre

dc.contributor.author	Linder, Eva-Liisa
dc.date.accessioned	2024-04-02T06:30:43Z
dc.date.available	2024-04-02T06:30:43Z
dc.date.issued	2018
dc.description.abstract	This article examines the techniques of scenic criticism in contemporary Estonian theatre. The examples vary in scale and style from the huge political show Unified Estonia by Theatre NO99 (2010) with 7500 participants, which investigated the crisis of democracy in a posttotalitarian country, to the self-ironic search for identity of the small ethnic community called Setos in How to Sell a Seto? (2012). This theatrical piece tackled tragic autobiographical choices of young Setos: old traditions versus contemporary trends, village versus city, building or selling their symbolic capital.
dc.identifier.uri	https://hdl.handle.net/10062/97461
dc.identifier.uri	https://doi.org/10.58162/pnft-s840
dc.language.iso	en
dc.publisher	Narr Verlag
dc.relation.ispartof	Forum Modernes Theater. Vol 29; Special Issue: Theatre as Critique
dc.rights	Attribution-NonCommercial-NoDerivs 3.0 Estonia	en
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/ee/
dc.title	Functions and Techniques of Critique in Contemporary Estonian Theatre
dc.type	Article

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